"Mather conveys masterfully in his notes-free presentation. Frankly, he's mesmerizing to watch, and director Kim Weild, sensing that a young, plaintive Ginsberg is more powerful than the bearded guru as which most remember him, keeps the focus on Mather at all times. Beat fans will sit still and wonder, but those unfamiliar with Ginsberg's work will find in its melodic strains the ring of the universal." - Ellen Wernecke, EDGE (Boston)
Thursday, October 1, 2009
Review of KADDISH (or The Key in the Window)
Labels:
Allen Ginsberg,
Donnie Mather,
FringeNYC,
HERE,
Kaddish,
Kim Weild,
NY Fringe,
Poetry,
Theatre
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